From the introduction of the DV format, most camcorders have used DVC, MPEG-2 or MPEG-4 (H.264/AVC) compression. These codecs can be placed into one of two categories: intraframe and interframe. Color ...

Real-life data confirms (or contradicts) theoretically derived predictions. In a world seemingly obsessed with lossy compression, lossless codecs also have a place. CPUs’ multimedia-tuned features can ...

Signal compression is an appealing technique to use in mixed-signal ATE (automated test equipment) systems because it can reduce the cost of test while improving tester performance. Unfortunately, ...